Answer:
Im pretty 100% sure its D, my bad if im wrong but hey we all make mistakes.
Explanation:
Have a nice day, stay positive, Y.O.L.O
What style emulates past examples, encourages unity of appearance, and exhibits grand scale in lavish interiors?
Answer:
A. Classical eclecticism.
Explanation:
According to a different source, these are the options that come with this question:
A. Classical eclecticism.
B. Spanish Colonial Revival.
C. Colonial Revival.
D. Richardsonian Romanesque.
Classical eclecticism is the style that exhibits all these characteristics. Classical eclecticism appeared as a rejection of the High Victorian style. It attempted to return to a more regular, unified and restrained type of architecture. Because of this, it obtained inspiration from the past, especially the Italian Renaissance, ancient Rome, the Baroque and 18th century France, Interiors were exuberant and lavish, often with antique furniture from these time periods.
Final answer:
The Empire style in architecture emulates past examples, encourages unity of appearance, and showcases grand scale in lavish interiors.
Explanation:
The style being described in the question is the Empire style, which was an early 19th-century design movement in architecture and decorative arts. This style aimed at emulating past examples, encouraging unity of appearance, and exhibiting grand scale in lavish interiors.
It drew inspiration heavily from symbols and ornaments borrowed from the ancient Greek and Roman empires, exemplified by buildings with simple timber frames, box-like constructions, and expensive veneers.
One notable example of the Empire style is the Église Sainte-Marie Madeleine in Paris, which reflects the grandeur and influence of this architectural movement.
The "modern oboe" was developed by the Gomez family in the later part of the 18th century. Group of answer choices True False
Answer:
False
Explanation:
The modern oboe was actually designed by the Triébert family, who was a French family devoted to the making of woodwind instruments. They are given the attribution of providing definitive characteristics to the French oboe. They established the "modern oboe" specifically in the 1860s. It was actually Guillaume's second son who developed the system that would later be recognized as the official oboe of the Paris Conservatory.