An ____________ is an orchestral composition performed before the curtain rises on a dramatic work.A. overtureB. ariaC. operaD. opening

Answers

Answer 1

Answer: A) Overture

Explanation:

   Overture is a musical composition and introduction to opera, ballet or oratorio.

The actors of the play have to take their places when an overture begins and then wait for the rise of the curtain. After the curtain rising the play starts.  

When hearing an overture, the audience can get an idea of music that would be in the play.


Related Questions

In Bach’s day, the Lutheran church service lasted about ____________ hour(s).A. oneB. twoC. threeD. four

Answers

Answer:

The answer here would be four hours.

Hope that this helps!!

Answer:

In Bach’s day, the Lutheran church service lasted about D. four hours.

Explanation:

During this time, the Lutheran Cantor of sofisticated churches was in charge of producing music for religious services and for other musical events provided by the city. On the other hand, and apart from the cantatas at St Thomas every week, musical performance in other events such as birthdays of the royalty were in the hands of J.S Bach. On average, between musical performance and sermons, his services in church lasted about 4 hours.

In oratorio, the story is carried forward by theA. arias.B. chorus.C. narrator’s recitatives.D. duets.

Answers

Answer:

The answer here would be C.

Hope that this helps!!

Select all the correct answers.

Which two statements are main characteristics of a tragic play?
The main characters of the play are ordinary people.
The main character of a tragic play is of high rank.
The play makes fun of the high-ranking people.
The play doesn’t have a well-structured plot.
The play ends on a catastrophic note.
The play ends on a cheerful note.

Answers

Explanation:

the main characters of the play Ordinary People

the play ends on a catastrophic note

Answer:

the main characters of the play Ordinary People

the play ends on a catastrophic note

To achieve intensity of expression, Monteverdi used ____________ with unprecedented freedom and daring.A. skipsB. textsC. consonancesD. dissonances

Answers

The correct answer is dissonance. The other options do not fit the context, so by process of elimination, the answer is D.

Answer:

The correct answer is dissonance. The other options do not fit the context, so by process of elimination, the answer is D.

Explanation:

    Dissonance in music means:

Lack of sound quality due to “instability”.Combination of little or no harmonic sounds; out of tune.Disharmony, disagreement of sounds.

    Basically dissonance is that situation in which we hear or reproduce something inharmonious.

    Dissonance causes a sense of movement and tension.

    Dissonance is the opposite of consonance.

    Dissonance is also done on purpose by many musicians and composers, so that disharmony fits the music in some sense.

In fact, all music composed on a harmonic and tonal basis, even if generally considered harmonious, has some degree of dissonance.

Baroque melodies often areA. elaborate and ornamental.B. easy to sing and remember.C. impossible to play.D. short and simple.

Answers

Answer:

A. elaborate and ornamental

Explanation:

Baroque style always means very elaborate and intricate.  It's a style, in all forms of arts, that is meant to push the skills to the limit and be as flamboyant as possible.

In the case of baroque melodies, they are elaborate and ornamental, with lots of "extra notes" and complex arrangements.

Final answer:

Baroque melodies, common in the Baroque period thought of as an era of complex, ornamented compositions, are usually elaborate and ornamental. Johann Sebastian Bach, a famous Baroque composer, was known for his elaborate melodic details.

Explanation:

Baroque melodies, typical of the musical style from the Baroque period (~1600-1750), are often A. elaborate and ornamental. This era was known for its complex and highly ornamented compositions. Music was seen as a way to exhibit the technical virtuosity of the composer and performers. For example, Johann Sebastian Bach, one of the most revered Baroque composers, is known for his intricate harmonies and embellished melodies. This is unlike option B where melodies are 'easy to sing and remember', a characteristic more associated with the Classical period that followed. Additionally, Baroque music is not 'impossible to play' (option C) or 'short and simple' (option D), these statements are oversimplifications and misrepresentations of the Baroque era's music complexity and variety.

Learn more about Baroque Melodies here:

https://brainly.com/question/32382501

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Which of the following statements is not true?A. Lutheran chorales were tunes that had been composed in the sixteenth and seventeenth centuries or had been adapted from folk songs and Catholic hymns.B. In a sense, the cantata was a sermon in music that reinforced the minister’s sermon.C. When chorale melodies were harmonized for church choirs, the tune was assigned to the tenors.D. The cantata of Bach’s day might last 25 minutes and contain several different movements, including choruses, recitatives, arias, and duets.

Answers

C. When chorale melodies were harmonized for church choirs, the tune was assigned to the tenors.

Hope this helps :)

Characteristic of baroque trio sonatas, the second movement of Corelli’s Trio Sonata in A Minor, op. 3, no. 10, isA. slow and dignified.B. songlike.C. fugue-like.D. a dance.

Answers

Final answer:

The second movement of Corelli’s Trio Sonata in A Minor, Op. 3, No. 10, is characterized by a fugue-like structure, showcasing the intricate polyphony typical of Baroque music.

Explanation:

The characteristic of Baroque trio sonatas, particularly seen in the second movement of Corelli’s Trio Sonata in A Minor, Op. 3, No. 10, aligns closely with the broader stylistic tendencies of the Baroque era, emphasizing complex textures and expressive depth.

In contrast to other movements which may feature fast tempos or dance-like qualities, Corelli's use employs a structure that is more aligned with fugue-like characteristics. This encapsulates a polyphonic composition technique central to much of the Baroque repertoire, where a theme or subject is introduced by one voice and then imitated by others in succession, creating a rich, interwoven texture that is both intellectually and emotionally compelling.

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