Although many musicians participated in the bebop revolution, and history has undoubtedly forgotten many who were in the trenches of the Harlem jam sessions, it is clear that the most important and influential architects of bebop were _________, _________ and _________.

Answers

Answer 1

Answer:

fast tempo, complex chord progressions with rapid chord changes and numerous changes of key.

Explanation:

Bebop or bop is a style of jazz created in the right on time to mid-1940s in the US, which highlights tunes described by a quick beat, complex harmony movements with fast harmony changes and various changes of key, instrumental virtuosity, and extemporization dependent on a blend of symphonious structure, the utilization of scales and periodic references to the song.

Bebop created as the more youthful age of jazz artists extended the innovative prospects of jazz past the famous, move situated swing style with another "artist's music" that was not as danceable and requested close listening.[1] As bebop was not proposed for moving, it empowered the artists to play at quicker rhythms. Bebop performers investigated propelled harmonies, complex syncopation, changed harmonies, broadened harmonies, harmony substitutions, hilter kilter stating, and perplexing songs. Bebop bunches utilized musicality areas such that extended their job.

Answer 2

Answer:

Charlie Parker, Dizzy Gillespie, Thelonius Monk

Explanation:


Related Questions

The Renaissance ushered in many changes in art, music, religion, and culture. Many of these elements were blended in very creative ways. How did Renaissance composers achieved a union of words and music?

Answers

Answer:

The instruments are put close by different logical instruments, books, and weapons, and they incorporate a portative organ, lutes, fiddle, and cornetti, a chasing horn, a channel and tabor, a harp and jingle ring, a rebec and a cittern

Explanation:

Music was a basic piece of city, strict, and dignified life in the Renaissance. The rich exchange of thoughts in Europe, just as political, financial, and strict occasions in the period 1400–1600 prompted significant changes in styles of creating, strategies for spreading music, new melodic types, and the improvement of instruments. The most significant music of the early Renaissance was created for use by the congregation—polyphonic (made up of a few concurrent tunes) masses and motets in Latin for significant places of worship and court houses of prayer. Before the finish of the sixteenth century, be that as it may, support had widened to incorporate the Catholic Church, Protestant houses of worship and courts, rich novices, and music printing—all were wellsprings of salary for writers.

"Renaissance composers achieved a union of words and music through various techniques that emphasized the clarity and expression of the text.

One of the most significant developments was the use of homophonic texture, where the music consists of a single melody line with chordal accompaniment, making the lyrics more intelligible and expressive.

This contrasted with the complex polyphonic textures of the medieval period, where multiple independent melodic lines were interwoven, sometimes obscuring the text.

 Another technique was the use of word painting, where the music reflects the literal meaning of the text through melodic, rhythmic, and harmonic devices. For example, ascending melodies might be used to illustrate the concept of ascending into heaven, or a slow, sustained note might emphasize a word like eternal.

 Furthermore, Renaissance composers paid close attention to the natural accentuation and declamation of the text, ensuring that the rhythm of the music complemented the rhythm of the spoken word. This often involved setting the text syllabically, with one note per syllable, to enhance comprehensibility.

The development of new musical forms also played a role in the union of words and music. The madrigal, for instance, was a secular vocal music form that set vernacular poetry to music, often with great expressiveness and attention to the text's emotional content. Similarly, the motet, a sacred form, was used to set liturgical texts in a way that highlighted their spiritual significance.

Oscar and Felix are handicapping next year's NFL season. Oscar claims that the chance the Indianapolis Colts will win the Super Bowl is 30%, and the chance that the New England Patriots win is 20%. Felix says the chance that New Orleans will win the Super Bowl is 25%, the chance that the Dallas Cowboys will win is 20%, and the chance that the Chicago Bears will win is 10%. Whose probabilities are consistent?

Answers

Answer:

The probabilities of wins that are consistent is that of the New England patriots and Dallas cowboys.

Explanation:

Given the fact that both of the teams probability of a win was estimated to be 20% gives the two teams a consistent probability.

Another thing to note here is that the estimation or predictions were made by two different persons that is Oscar and Felix and both teams were given the same probability.

Final answer:

Probabilities presented by Oscar and Felix are not strictly 'consistent' as the sum of the chances for the teams they mentioned do not equal 100%, suggesting that the probabilities for all possible outcomes (all NFL teams) have not been considered.

Explanation:

The question revolves around the concept of probability and whether the individual probabilities provided by Oscar and Felix are consistent. For probabilities to be consistent, they must sum up to 1 or 100% when considering all possible outcomes of an event such as winning the Super Bowl. In Oscar's case, he claims a 30% chance for the Indianapolis Colts and a 20% chance for the New England Patriots, summing to a total of 50%. In Felix's case, he allocates a 25% chance to New Orleans, 20% to the Dallas Cowboys, and 10% to the Chicago Bears, which cumulatively adds up to 55%. Neither set of probabilities is strictly consistent as there are additional NFL teams not accounted for, and all teams' probabilities should sum to 100%. It's essential to note that in reality, these probabilities don't reflect actual odds but are merely claims by Oscar and Felix.

In December 1949, with great fanfare, a live radio broadcast and Charlie Parker himself performing, Birdland, the "Jazz Corner of the World" opened at the corner of 53rd and Broadway. Never before had a club been named after a jazz musician.

TRUE/FALSE

Answers

The answer to this question is true

In December 1949, with great fanfare, a live radio broadcast and Charlie Parker himself performing, Birdland, the "Jazz Corner of the World" opened at the corner of 53rd and Broadway. Never before had a club been named after a jazz musician. This is true.

What is radio?

The use of radio waves for signaling and communication is known as radio technology. Electromagnetic waves with a frequency of between 30 hertz and 300 gigahertz are known as radio waves.

They are produced by a radio transmitter, an electrical device that emits waves when attached to an antenna, and are picked up by a radio receiver, which is connected to a different antenna.

Radio has several applications in modern technology, including radio communication, radar, radio navigation, remote control, and remote sensing.

Radio waves are used in radio communication to carry information across space from a transmitter to a receiver by modulating the radio signal in the transmitter.

This technology is used in radio and television broadcasting, cell phones, two-way radios, wireless networking, and satellite communication, among many other applications.

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Interior decoration company Blue Sapphire stores employee details in the employee information system. The date of birth of each employee is stored along with other details, including the employee's name. The relationship between the employee's name and the employee's date of birth is ________.

Answers

Answer:

One to one relationship

Explanation:

This is an example of a one to one relationship (or 1:1 relationship). In this type of relationship, one record in a table or database is associated with one other record in another table. In this case, one value is the date of birth of the employees. Each day of birth is associated with only one employee name. The relevant attributed of these two related entities (name and date of birth) can be merged into a single table.

Which of the following directors staged A Midsummer Night's Dream with trapezes in 1970 and founded the Centre for International Theatre Research in Paris in 1971?
a. Peter Brook
b. Herbert Beerbohm Tree
c. Anne Bogart
d. George C. Wolfe

Answers

Answer:

a. Peter Brook

Explanation:

Peter Brook directed the Shakespeare's play A Midsummer Night's Dream (1970). He successfully staged this play through the use of trapezes, juggling, and circus effects. Brook and his actors were able to create a sense of magic, joy, and celebration in this interpretation of Shakespeare's play.

Brook believed that theater was universal.  He wanted a theater that could speak to people globally this made him move to Paris and founded the International Center of Theatre Research.

A number of conscious artistic movements rebelled against the triumph of Realism and Naturalism in the theater. By "conscious," we mean intentional, in the sense that each was launched by specific individuals with stated goals in mind; artists setting out as on a cause to transform art, as opposed to creating art.

a. True
b. False

Answers

Answer:True

Explanation:It is a clash between between creating a natural effects and creativity. And the arts seem to embrace the art of creativity

Name and explain the meaning of each of the three Jewish symbols below.
# 1A candle stick that holds 7 candles. #2An animal horn. #3 A round piece of fruit that tapers on each end.


Answers

Answer:

1. Menorah is a seven-pointed candlestick. In ancient times it was erected in the Tabernacle of Meeting and later at the Temple in Jerusalem - a place where religious service was held in the old State of Israel.

This menorah was made of gold. Today the menorah is a symbol of the Jewish tradition and is often made in the form of decorative objects made of various materials, the most common being metal alloys. Menorah pendants are also often found. Menorah is also today on the coat of arms of the State of Israel.

2. Shofar is a trumpet made of rams' horns.

The sound of shofar can be heard in synagogues around the world to commemorate the holidays of Roshan Ashan and after the end of Yom Kippur, and it is a sound that should remind Jews of the need to think deeply about personal actions and deeds, and to lead to repentance and the intention of establishing better relationships man with his material and spiritual environment.

3. Etrog is one of four species used in the younger ritual during the Jewish holiday.

Other species are date palm frond), dead bough and willow branches. Etrog is held with the rest of the four species before and during the prayers.  According to Jewish law, the etrog used in a mitzvah of four species must have a perfect shape and not have any stains on its surface. Etrog has a green pole at one end. And at the other end may be an extension, called a pie.

Answer:

#1: Menorah - It is a symbol of paradise and the end of exile for the Jewish people. #2: Ram’s Horn - It was considered sacred and used during ceremonial occasions. #3: Citron - It symbolized prosperity and good fortune for harvest.

Explanation:

What eccentricities did that person display in his life that might have led Raphael to portray him in such an undignified pose?

Answers

Answer:

He made a career out of lying and begging. He is sometimes known as Diogenes the Dog, He was constantly dirty would urinate in public and would spit in people's faces if he didn't agree with them.

Final answer:

The inquiry delves into Raphael's depiction of Michelangelo, who displayed various eccentricities. Michelangelo's deep spirituality and mannerism influenced Raphael, evident in the inclusion of Michelangelo's likeness in 'School of Athens' and in the divergent portrayal techniques.

Explanation:

It appears that the question is exploring the reasons behind the portrayal of a person by Raphael in an unconventional manner. Although the question does not specify which person is being referred to, based on the provided information, it seems that Michelangelo is a strong candidate, especially considering his depiction in Raphael's Alba Madonna and other works. Raphael acknowledged Michelangelo's eccentricities and idiosyncrasies, especially toward the latter part of Michelangelo's life, which was characterized by a deep religiosity and preoccupation with the fate of his soul. This is evident in his self-portrait in the Last Judgment, where he illustrates himself hovering between heaven and hell. Raphael also recognized Michelangelo as a genius, rushing back to add his likeness to the School of Athens after being inspired by Michelangelo's work in the Sistine Chapel. Furthermore, Michelangelo's own tendencies towards Mannerism were exhibited in his work, departing from the balance of the High Renaissance, which might have inspired Raphael's portrayal as departing from typical dignified poses.

Composer John Cage hoped that his innovative performances would:
Group of answer choices:
A. cause a fire in the tenement building in which he lived
B. make all people hate art
C. separate music and art
D. inspire people to pay attention to the life (and art) happening all around them
E. none of the other answers

Answers

Answer:

D. inspire people to pay attention to the life (and art) happening all around them

Explanation:

John Cage, an American musician, artist, and philosopher, was one of the earliest proponent of post-war Avant-garde. Cage is regarded as the most influential composers of the 20th century for his music philosophy and an emphasis on one's life.

Cage described music as "a purposeless play" in his Experimental Music lecture of 1957. His theory was highly inspired by Indian philosophy and Zen Buddhism and his extensive research of South Asian cultures.

He believed that music does not attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we're living.

Final answer:

John Cage aspired to inspire audiences to recognize the art in everyday life through performances that utilized chance and ambient sounds.

Explanation:

Composer John Cage hoped that his innovative performances would inspire people to pay attention to the life (and art) happening all around them. This is reflected in pieces like 4′33″, where Cage used ambient noises occurring during the performance to create a musical composition. Through techniques rooted in chance operations and the influence of Zen Buddhism, Cage sought to blur the boundaries between art and life, encouraging audiences to find art in the everyday. Similarly, the Happenings of Alan Kaprow, a student of Cage, involved audiences in unpredictable performances, integrating art with real-time experiences.

What artist painted the above image of The Last Supper?
a Veronese
b. Tintoretto
C. Titian
d. Raphael
Please select the best answer from the choices provided
A
B
C
D

Answers

Answer:

b.

Explanation:

The artist who painted the image of The Last Supper is Tintoretto. The correct option is b.

What is Tintoretto known for?

Tintoretto was a great Italian Mannerist painter of the Venetian school and one of the most important artists of the late Renaissance. His paintings include Vulcan Surprising Venus and Mars, the Mannerist Christ and the Adulteress, and his masterpiece, the Last Supper of San Giorgio Maggiore. He was born on born in Jacopo Robusti in late September or early October 1518

His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting, he was termed Il Furioso. His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Very little is known of Tintoretto's childhood or his training. According to his early biographers Carlo Ridolfi and Marco Boschini, his only formal apprenticeship was in the studio of Titian, who angrily dismissed him after only a few days either because of jealousy of so promising a student in Ridolfi's account or because of a personality clash in Boschini's version.

Tintoretto died on 31 May 1594.

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